非常美丽末世遗迹上被废弃被禁止的自然是这样原始又狡猾地包围了人在八卦的边角料里了解了塔可夫斯基受挫的雄心和主创们为拍摄此作付出的巨大代价像另一部自然主义的《《我们身边的犯罪》》但缓慢的对精神的雕琢（sculpting the spirit）更细致更悬浮更破碎mubi上最有趣的评论是：“Dehumanized professors, wretched writers, hopeless romantics, all of us are searching for truth as the end of the world draws near. But even Tarkovsky can't help but feel like an impostor in the face of endless beauty and mystery.”